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  Art Criticism, Volume 11, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Knafo, Danielle, “In Her Own Image: Self-Representation in the Art of Frida Kahlo and Ana Mendieta.” Busbea, Larry, “Please Seat Your-Self: A Witmicottian Reading of the Furniture Objects of Scott Burton.” Gedo, Mary Mathews, “Public Art/Private Iconography: Roger Brown’s Transformation of the Myth of Daedalus and Icarus.” Ferb, Lara, “Dialectic Negation and the Unrepresentable Object of Nihilism in the Painting of Sigma’ Polke.” Morowitz, Laura, “Anonymity, Artisitc Brotherhoods and the Art Market in the Fin de Siecle.” King, Elaine A., “The Post-Modem, Avant-Garde Enigma: Who and What is Killing Art?” Jaffee, Barbara, “In the Name of Peirce: Art Criticism and the October Circle.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Peglau, Michael, “Facture, Painting and Norman Bryson.” Laughlin, Trisha, “Lee Krasner and the Decorative Impulse in Modern Art.” Neher, Ross, “As Stupid as a Painter: Jackson Pollock and the Politics of Self.” Ping, Zhou and Xin Bei, Fei, “The Making of Modernist Art in China.” Kuzma, Sally, “Myth-making and Myth-Breaking: Multiple Meaning in Mel Chin’s Revival Field.” Farrell, Audrey, “Judy Chicago: Exploitation or Art?” Daily, Meghan, Lara Ferb, Jennifer McCormick, Denise McKenna, and Janie Welker, “Fall in Review: Selected New York Shows.”

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  Art Criticism, Volume 10, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Graziani, Ron, “Robert Smithson: An Esthetic Prospector in the Mining Industry (Part 1: the 1960s).” Seidell, Dan, “Rereading deKooning’s Critics.” Grimm, Jay, “A Psychoanalytic Approach to Charles Burchfield.” Clifford, Katie, “Scopophilia, Exhibitionism and the Art of Sophie Calle.” Friedman, D.S., “Public Things in the Atopic City: Late Notes on Tilted Arc and the Vietnam Veterans’ Memorial.” Eskilson, Stephen, “The Many or the One?” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 9, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Jaffee, Barbara, “Purists and Pluralism Reconsidered: A Look at Criticism of the 1980s.” Jensen, Robert, “The Politics of Silence: The Degenerate Art Show Revisited.” Cash, Stephanie, “The Art Criticism and Politics of Lucy Lippard.” Rohn, Matthew, “Gendered Values in Clement Greenberg’s Criticism.” Comisarenco, Dina, “The Earliest Bullfight Images of Pablo Picasso.” Whiting, Cécile, “Regenerate Art: The Reception of German Expressionism in the United States, 1900-1945.” Babich, Babette, “On Malls, Museums, and the Art World: Postmodernism and the Vicissitudes of Consumer Culture.”

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  Art Criticism, Volume 9, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Howard, Seymour, “I.R.I.S.: The Artist’s Intent and Proliferation of Meanings.” Mehring, Christine, “Reexamining Greenberg’s Impact: An Inquiry into His Lack of Reception in Germany.” Van Scheppen, Randall K., “Leo Steinberg’s Criticism: Symptom of Formalist Crisis, Prophetic of Postmodernist Promise.” Menard, Andrew, “Cindy Sherman: The Cyborg Disrobes” Greenberg, Emily B., “Cindy Sherman and the Female Grotesque.” Kuspit, Donald, “The Great Divide.” Kuspit, Donald, “Art: Sublimated Expression Or Transitional Experience? The Examples Of Van Gogh and Mondrian.” Kuspit, Donald, “The Expressive Gaze.” Sherman, David, “Madness and Modernism, The Cult of the Avant-Garde Artist, and Empathic Art in the Mediascape.”

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  Art Criticism, Volume 8, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Strauss, David Levi, “American Beuys: ‘I Like America & America Likes Me.’” Kozloff, Max, “The Anxieties of Indulgence: Théophile Gautier as Critic of Art.” Brockelman, Thomas, “Modernism and Theatricality.” Bartel, Jeannine, “Cartoons, Comforters and the Cultural Industry: Mike Kelley’s Art as Deception or Enlightenment?” Van Proyen, Mark, “The New Pusillanimity Art and the Post-Regional Climate.” Bisanz, Rudolph, “Proto-Modernist Aesthetics and Art Criticism Amended: From Behaviorist ‘Doctrinaire Realism’ to Existentialist ‘Process Art’ and Wilhelm Liebl’s Three Women in Church.”

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  Art Criticism, Volume 8, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Hugunin, James R., “From ‘catop-tricks’ to ‘Cliff Dwellings’: the Art of Barbara Kasten.” Baigell, Matthew, “Reflections on/of Richard Estes.” Elkins, James, “An Ambilogy of Painted Meanings.” Jolly, Robert, “The Faith Dimension in Gestural Abstraction.” Baranik, Rudolf, “Art: Devilish, Diabolic, Satanic, Demonic.” Tillim, Sidney, “Do Intentions Matter?” Menard, Andrew, “Art and the Logic of Computers.” Stanton, Joseph, “A Langerian Comparison of a Starina Painting and a Richard Howard Poem.” Grisham, Therese, “Resisting the ‘Obscure Art of Light’: Reticence in the Art of Christian Boltanski.” Brandi, Mark Staff and Daniel Ammann, “Beyond ‘Like’ and ‘As’ in Images: Metonymy and Metaphor in Some Recent Art.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, , Volume 7, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Kiefer, Geraldine Wojno, “Alfred Stieglitz, Camera Work, and Cultural Radicalism.” Stiles, Kristine, “Unbosoming Lennon: Yoko Ono’s Experience.” Van Schepen, Randall K., “Duchamp as Pervert.” O’Connor, Francis V., “Painting Women; Feinting with Eros.” Gersh-Nesic, Beth S., “Countertransference and Critical Discourse: The Case of André Salmon and Guillaume Appollinaire.” Waugh, Joanne B., “On Picasso and Pornography.” Hartoonian, Gevork, “Avant-Garde: Re-Thinking Architecture.”

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  Art Criticism, Volume 7, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Baldessari, John; Camnitzer, Luis; Gablik, Suzi; Koons, Jeff; Pekarsky, Mel; Sandback, Amy Baker; and Storr, Robert, contributors, “The Idea of the Moral Imperative in Contemporary Art.” Bartell, Jeannine; Qnizon, Cheree; and Williams, Ellen, contributors, “Three Reviews of High and Low! Modern Art and Popular Culture at the Museum of Modern Art.” Introduction to Paul Gauguin’s Notebook for Aline Dielrich, Linnea S., “Introduction to Paul Gauguin’s Notebook for Aline.” Dielrich, Linnea S. and Wyly, Katherine, translators, “Paul Gauguin’s Notebook for Aline.” Wolf, Marion, “Van Gogh, Vinnen, and Vasily Kandinsky: The Threshold to Abstraction.” Kuspit, Donald B., “A Sceptical Note on the Idea of The Moral Imperative.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 6, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Yngvason, Hafthor, “Schiele, Michelangelo, and the Allegory of the Cave.” Cone, Michele, “Suspicious Unheimlich’ and Ambivalence in the Appropriation Strategy of Anselm Kiefer.” Wiens, Ann, “Abject of My Desire.” Biro, Matthew, “Art Criticism and Deconstruction: Rosalind Krauss and Jacques Derrida.” Tumasonis, Elizabeth, “Böcklin’s Reputation: Its Rise and Fall.” Kuspit, Donald, B., “A Psychoanalytic Understanding of Aesthetic Disinterestedness.”

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  Art Criticism, Volume 6, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 5, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Matthews, Palricia, “Feminist Art Criticism: Multiple Voices and Changing Paradigms.” MacDonald, Erik “Disseminating Cindy Sherman: The Body and the Photograph.” Hartoonian, Gevork, “Domino and Its Trajectory: Metamorphosis Deconstructed.” Borum, Jennifer Penrose, “Robert Pincus-Witten: The Critic as Dandy.” Bisanz, Rudolf M., “The Culture of Eros: A Frugal Guide to Sybaritic Art.”

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  Art Criticism, Volume 5, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Baigell, Matthew, “A Ramble Around Early Earth Works.” Alford, C. Fred, “Art and Reparation or, Poetry After Auschwitz?” Kultermann, Udo, “Pino Pascali and the Reconstruction of Nature.” Platt, Susan Noyes, “Clement Greenberg,in the 1930’s: A New Perspective on His Criticism.” Long, Timothy, “Art and Moral Resistance to Simulation.” Nechvatal, Joseph, “Artistic Cynicism.”

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  Art Criticism, Volume 6, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Bisanz, Rudolf M., “Art History: Art Criticism and the Ideological Birth of Modern Art.” Kirshner, Judith Russi, “A Narrative of Women’s Experience.” Kuspit, Donald B., “The Problem of Art in the Age of Glamour.” Leenhardt, Jacques, “Artist Career, Mainstream, and Art.” Miller, Charles V., “Mainstream Provincialism.” Mosquera, Gerardo, “New Cuban Art: Identity and Popular Culture.” Risatti, Howard, “The Eighties Reviewed.”

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  Art Criticism, Volume 4, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Parigi, Robert S., “Reading the Entrails: Splatter Cinema and the Postmodern Body.” Morgan, Robert C., “The Icon Without the Image.” High, Stephen S., “Young German Painting: Towards the Hyperreal.” Nechvatel, Joseph, “High Style.” Dietrich, Linnea S., “Gauguin: The Eve of My Choice.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 4, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Peglau, Michael, “On Mimesis and Painting.” Bonta, Juan Pablo, “Architectural Criticism, Values and Psychoanalysis.” Gedo, Mary Matthews, “An Autobiography in the Shape of Alabama: The Art of Roger Brown.” Spitz, Ellen Handler, “An Insubstantial Pageant Faded.” Gedo, John E., “Looking Through the Third Eye.” Leenhardt, Jacques, “Archaism: Confronting the Past.”

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  Art Criticism, Volume 5, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Welish, Marjorie, “The Studio Visit.” Barnard, Phillip, Translator, “The Phallus Stripped Bare hy its Non-Bachelors, Even: A Conversation Between Alain Kirili and Phillippe Sollers.” Plagens, Peler, “The McSacred and the Profane.” Olson, Krislina S., “Living With It: Michael Graves’s Portland Building.” Kuspit, Donald B., “David Salle: The New Gatsby.” Bisanz, Rudolf M., “The Nude and Erotic Art: The Pick of the Crop Reviewed.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 3, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Peglau, Michael, “Against Benjamin, H. D. Buchloh’s Attack on Painting.” Matthews, Patricia, “A Dialogue of Silence: May Stevens’ Ordinary/Extraordinary 1977-86.” Kuspit, Donald B., “Dorothea Tanning’s Occult Drawings.” Greenberg, Allan, “Architecture of Democracy.” Davis, Douglas, “On Architecture.” Welish, Marjorie, “Frame of Mind: Interpreting Jasper Johns.” Morgan, Robert C., “Review: Corinne Robbins, The Pluralist Era: American Art, 1968-1981.”

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  Art Criticism, Volume 3, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Hartoonian, Gevork, “Postmodernism: The Discrete Charm of the ‘Other.’” Crow, Thomas, “The Critique of Enlightenment in Eighteenth-Century Art.” Christen, Barbara S., “Responses to the Scenographic in Postmodern Architecture.” Bois, Yves-Alain, “Critical Evaluation.” Gablik, Suzi, “Postmodernism and the Question of Meaning.” Kuspit, Donald, “Adrian Piper: Self-Healing Through Meta-Art.” Kuspit, Donald, “The Subjective Aspect of Critical Evaluation.”

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  Art Criticism, Volume 4, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Bisanz, Rudolf M., “More on a ‘Discipline in Crisis’ and Some Possible Remedies; General Methodology in Art History and a Special Application to the 19th Century.” Brenson, Michael, “Newspaper Art Criticism.” Baigell, Matthew, “American Landscape Painting and National Identity. The Stieglitz Circle and Emerson” Rappaport, Herman, “Hans Breder and the Auras of Video.” Bisanz, Rudolf M., “Book Review: Nexus, Plexus, Fidihus-Still, the Nineteenth Century Doesn’t Add Up For Us!” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 2, Number 2

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Diamond, Josephine, “Baudelaire’s Exposure of the Photographic Image.” Glaser, David, “Spectacle in Recent Art.” Tuchman, Phyllis, “The Road Now Taken.” Werman, David S., “Psychoanalytic Perspectives on Art.” O’Connor, Francis V., “Depressive Elementalism and Modernism: A Postmodernist Meditation.” Boettger, Suzaan, “Regression in the Service of...” Platt, Susan Noyes, “Formalism and American Art Criticism in the 1920’s.” Kuspit, Donald B., “The Narcissistic Justification of Art Criticism.” Peglau, Michael, “Review: Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths.”

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  Art Criticism, Volume 2, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Gedo, Mary Matthews, “The Meaning of Artistic Form and the Promise of the Psychoanalytic Method.” Graziani, Ron, “Adrian Stokes and the Psychoanalytic.” Webster, Mary, “Response to an Empathetic Critic.” Baranik, Rudolf, “Philistinism in Front of Art and Art History.” Berkowilz, Terry, “Report from Behind the Screens.” MarEdelson, Mary Beth, “Mary Beth Edelson on Saving the World.” Luljak, David, “Criticism and Its Moral Imperative: An Interview with Mel Pekarsky.” Plagens, Peter, “A Letter from Home.”

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  Art Criticism, Volume 3, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Cameron, Dan, “Transparencies.” Westfall, C.W., “On Razing the Primitive Hut.” Rubin, James, “Art Criticism Studies and Their Consequences for Art History Introduction.” Crow, Thomas, “The Critique of Enlightenment in Eighteenth Century Art.” Shiff, Richard, “On Criticism Handling History.” Poleskie, Steve, “Reasons for Aerial Theatre.” Luljak, David, “Review: Hal Foster, Recodings.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 2, Number 1

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),Baigell, Matthew, “Robert Morris’ Latest Works: Slouching Toward Armageddon.” Welish, Marjorie, “Harold Rosenberg: Transforming the Earth.” Colquhoun, Alan, “Postmodern Critical Positions.” Guilbaut, Serge, “Art History After Revisionism: Poverty and Hopes.” Kuspit, Donald, “Deadministering Art.” Spector, Jack, “Review: Peter Burger, Theory of the Avant-Garde.” Vidler, Anthony, “The Architecture of Allusion: Notes on the Postmodern Sublime.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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  Art Criticism, Volume 1, Number 3

  Department of Art, Stony Brook University

  v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Spector, Jack, “On Some Problems of Contemporary Art Criticism.” Langer, Sandra L., “Character and Sexual Politics in some Romaine Brooks Les¬bian Self-Portraits.” Wallach, Alan, “The Avant-Garde of the Eighties.” Kangas, Matthew, “Artists on the Design Team: Three Seattle Projects.” Kuspit, Donald B., “Art in an Age of Mass Mediation.” Baranik, Rudolf, “The State of Formalism.” Nickels, Bradley, “When the Realists Killed Realism.” Neville, Robert, “Reviewing the Relativist Perspective.”