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v. : ill. ; 22 cm (original analog pub.),Hugunin, James R., “From ‘catop-tricks’ to ‘Cliff Dwellings’: the Art of Barbara Kasten.” Baigell, Matthew, “Reflections on/of Richard Estes.” Elkins, James, “An Ambilogy of Painted Meanings.” Jolly, Robert, “The Faith Dimension in Gestural Abstraction.” Baranik, Rudolf, “Art: Devilish, Diabolic, Satanic, Demonic.” Tillim, Sidney, “Do Intentions Matter?” Menard, Andrew, “Art and the Logic of Computers.” Stanton, Joseph, “A Langerian Comparison of a Starina Painting and a Richard Howard Poem.” Grisham, Therese, “Resisting the ‘Obscure Art of Light’: Reticence in the Art of Christian Boltanski.” Brandi, Mark Staff and Daniel Ammann, “Beyond ‘Like’ and ‘As’ in Images: Metonymy and Metaphor in Some Recent Art.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)
Identifier
http://hdl.handle.net/11401/59789
Recommended Citation
Department of Art, Stony Brook University, "Art Criticism, Volume 8, Number 2" (1993). Art Criticism. 29.
https://commons.library.stonybrook.edu/art-criticism/29