Art Criticism, Volume 8, Number 1

Authors

Department of Art, Stony Brook University

Files

Description

v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Strauss, David Levi, “American Beuys: ‘I Like America & America Likes Me.’” Kozloff, Max, “The Anxieties of Indulgence: Théophile Gautier as Critic of Art.” Brockelman, Thomas, “Modernism and Theatricality.” Bartel, Jeannine, “Cartoons, Comforters and the Cultural Industry: Mike Kelley’s Art as Deception or Enlightenment?” Van Proyen, Mark, “The New Pusillanimity Art and the Post-Regional Climate.” Bisanz, Rudolph, “Proto-Modernist Aesthetics and Art Criticism Amended: From Behaviorist ‘Doctrinaire Realism’ to Existentialist ‘Process Art’ and Wilhelm Liebl’s Three Women in Church.”

Identifier

http://hdl.handle.net/11401/59774

Recommended Citation

Department of Art, Stony Brook University, "Art Criticism, Volume 8, Number 1" (1993). Art Criticism. 14.
https://commons.library.stonybrook.edu/art-criticism/14