Art Criticism, Volume 9, Number 2

Authors

Department of Art, Stony Brook University

Files

Description

v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Howard, Seymour, “I.R.I.S.: The Artist’s Intent and Proliferation of Meanings.” Mehring, Christine, “Reexamining Greenberg’s Impact: An Inquiry into His Lack of Reception in Germany.” Van Scheppen, Randall K., “Leo Steinberg’s Criticism: Symptom of Formalist Crisis, Prophetic of Postmodernist Promise.” Menard, Andrew, “Cindy Sherman: The Cyborg Disrobes” Greenberg, Emily B., “Cindy Sherman and the Female Grotesque.” Kuspit, Donald, “The Great Divide.” Kuspit, Donald, “Art: Sublimated Expression Or Transitional Experience? The Examples Of Van Gogh and Mondrian.” Kuspit, Donald, “The Expressive Gaze.” Sherman, David, “Madness and Modernism, The Cult of the Avant-Garde Artist, and Empathic Art in the Mediascape.”

Identifier

http://hdl.handle.net/11401/59796

Recommended Citation

Department of Art, Stony Brook University, "Art Criticism, Volume 9, Number 2" (1994). Art Criticism. 36.
https://commons.library.stonybrook.edu/art-criticism/36