Authors

Maria Celleri

Type

Text

Type

Thesis

Advisor

Perez-Melgosa, Adrian | Firbas, Paul.

Date

2011-12-01

Keywords

Chile, Los incontables, Manifiesto, Pedro Lemebel, Pedro Mardones, Pinochet | Latin American literature

Department

Department of Hispanic Languages and Literature

Language

en_US

Source

This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.

Identifier

http://hdl.handle.net/11401/71174

Publisher

The Graduate School, Stony Brook University: Stony Brook, NY.

Format

application/pdf

Abstract

All of Lemebel's works have been studied, analyzed, and critiqued, while Los incontables has been either forgotten or unheard of, which is why I attempt a queer reading of these texts. This investigation reaches beyond a need to "rescue" more of Lemebel's works than he has chosen to do by himself; they are analyzed as destabilizing tools of subversion. At the same time, a reworking of Lemebel's stories written and published during Pinochet's dictatorship gives testament to a form of memory hitherto little explored, one that rewrites the official story of the military regime of Chile from the perspective of the sexually deviant and socially marginalized. Los incontables gives voice to the sexually marginalized, those with no History on either side of the battle. I also explore the author as in transformation, analyzing Los incontables and "Manifiesto: Hablo por mi diferencia" as works that mark his convergence from Mardones to Lembel, a political act of resistance against national hegemonic structures of repression. | 47 pages

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