Type
Text
Type
Thesis
Advisor
Firbas, Paul. | Roncero L??pez, Victoriano
Date
2011-05-01
Keywords
Classical studies--European studies
Department
Department of Hispanic Languages and Literature
Language
en_US
Source
This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.
Identifier
http://hdl.handle.net/11401/71016
Publisher
The Graduate School, Stony Brook University: Stony Brook, NY.
Format
application/pdf
Abstract
The purpose of this study is to analyze the diabolic images in the work of Francisco de Quevedo from two perspectives: the terrifying mask and comic caricature. The diabolic spirit in Quevedo's work has several nuances that derive from the author's ideological belief: the tempting devil, the rebellious demon, the demon destroyer, the devil burlesque, as well as satanic things, nations, and characters. The study is based on the following works: la Pol?Ática de Dios, gobierno de Cristo y tiran?Áa de Satan? s, Los sue??os, La hora de todos, la Espa??a defendida, el Mundo caduco y desvar?Áos de la edad, La vida del Busc??n, la Execraci??n contra los jud?Áos, la Visita y anatom?Áa de la cabeza del Cardenal Armando de Richelieu, Alabanzas de la moneda, Libro de todas las cosas y otras muchas m? s, Carta al Rey Cristian?Ásimo Lu?Ás XIII, Carta a don Francisco de Oviedo, La musa Cl?Áo del parnaso espa??ol and Poes?Áa sat?Árico-burlesca de Quevedo. | 84 pages
Recommended Citation
Banaru, Nelly, "The diabolic metamorphosis and its images en Quevedo's work" (2011). Stony Brook Theses and Dissertations Collection, 2006-2020 (closed to submissions). 223.
https://commons.library.stonybrook.edu/stony-brook-theses-and-dissertations-collection/223