Document Type

Article

Publication Date

2024

Keywords

independent cinema, academic filmmaking, migration cinema, film distribution

Abstract

The distribution and circulation of independent films are fundamental but often neglected aspects in film studies. This article presents a distribution experience followed by the author of the text himself: the case of the independent documentary Maka. Produced thanks to an academic grant and the collaboration with two Italian production companies, Maka was screened at numerous international festivals and received several awards. Distribution involved both traditional cinema circuits and independent digital platforms. The film has been screened in academic and associative contexts, in Italy and the United States, encouraging debates on social and cultural issues. The participation of the protagonist, the director, and the author in the screenings played a key role in the film's success, highlighting the importance of direct interaction with the audience for the dissemination of independent works.

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.