Files
Download Full Text (48.9 MB)
Description
v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Knafo, Danielle, “The Dead Mother in Kathe Kollwitz.” Newton, Stephen J., “Guilt in Painting.” Carl, Katherine, “Uprootedness and Reception in the Photographs of Josef Koudelka.” Baigell, Matthew, “American Art around 1960 and the Loss of Self.” Cohalan, Mary Lou, “Reinventing the Avant-Garde: A Stylistic Analysis of Selected Essays of Jacques Derrida.” Shanken, Edward A., “Le Coq, C’est Moi!’” Brancusi’s Pasarea Maiastra: Nationalistic Self-Portrait?” Winkenweder, Brian, “Art History, Sartre and Identity in Rosenberg’s America.” Grauer, Victor A., “Passage from Realism to Cubism: The Subversion of Pictorial Semiosis.”
Identifier
http://hdl.handle.net/11401/59797
Recommended Citation
Department of Art, Stony Brook University, "Art Criticism, Volume 13, Number 2" (1998). Art Criticism. 37.
https://commons.library.stonybrook.edu/art-criticism/37
