Content Posted in 2023
Adventures in [A]Synchrony: Tools and Strategies for the Network Arts-Curious Music Educator, Seth Adams
An American Portrait: Symphonic Overture for Orchestra, Op. 2 (1953), Billy Jim Layton
An American Portrait: Symphonic Overture for Orchestra, Op. 2 (1953), Billy Jim Layton
An Overview of Immersive Virtual Reality Music Experiences in Online Platforms, Ben Loveridge
"Being able to play for a wider audience": Student musician perspectives on performing in the library, Gisele Schierhorst and Christine Fena
Chamber Suite (1947), Billy Jim Layton
Climatologies of Convection Across the United States, Kristofer S. Tuftedal
Collaborative Challenges Between Educational Accessibility Coordinators and Adjunct Faculty in Supporting Autism Spectrum Students, Tamara Faure and Pietro Antonio Sasso
Comments from the Editor, Robert M. Mangione and Susan V. Iverson
Creatività diasporiche Dialoghi transnazionali tra teoria e arti, Simone Brioni Dr., Loredana Polezzi Dr., and Franca Sinopoli
Dance Fantasy, Op. 7 (1964), Billy Jim Layton
Distributed Networks of Listening and Sounding: 20 Years of Telematic Musicking, Doug Van Nort
Divertimento (Septet), Op. 6, Billy Jim Layton
Divertimento (Septet), Op. 6 (1958), Billy Jim Layton
Divertimento (Septet), Op. 6 (1958), Billy Jim Layton
Divertimento (Septet), Op. 6 (original version of last movement) (1958) (performance), Billy Jim Layton
Divertimento (Septet), Op. 6 (original version of last movement) (1958) (rehearsal), Billy Jim Layton
Editorial, Sarah Weaver
End-Stage Acute Thoracic Aortic Care Patients’ Interventions and Two-Year Survival: the New York State Experience, Joshua Helali, Annet Kuruvilla, Ashutosh R. Yaligar, Daniel H. Wolbrom, Sohaib Agha, Jie Yang, Aurora D. Pryor, Jonathan Price, Henry J. Tannous, Thomas J. Bilfinger, Allison J. McLarty, and Annie-Laurie W. Shroyer
Evolution and Environmental Controls of Area Updraft Proxies in QLCSs Observed in PERiLS-2022, Celia Werner
Final Doctoral Recital, David Charles Shann
Final Doctoral Recital, Dustin Gledhill
Final Doctoral Recital, Alessandro Fadini
Final Doctoral Recital, Lauren Kinane
Final Doctoral Recital, Manaka Matsumoto
Final Doctoral Recital, Manaka Matsumoto
Final Doctoral Recital, Brett G. Walfish
Final Doctoral Recital, John Ling
Final Doctoral Recital, Lauren Rachel Kinane
Final Doctoral Recital, Ji Na Kim
Final Doctoral Recital, Calvin Hu
Final Doctoral Recital, Madeline Hildebrand
Final Doctoral Recital, Laura Sacks
Final Doctoral Recital, Nathan Cottrell
Final Doctoral Recital, Daniel Guedes e Silva
Final Doctoral Recital, David Charles Shann
Final Doctoral Recital, Alia Katerina Fiona Kuhnert
Final Doctoral Recital, Christian Vere Tran
Final Doctoral Recital, Ernesto J. Balarezo
Final Doctoral Recital, Catherine Sandstedt
Final Doctoral Recital, Michael Thomas Asmus
Final Doctoral Recital, heejin shin
Final Doctoral Recital, Dustin Gledhill
Final Doctoral Recital, Ji Na Kim
Final Doctoral Recital, Lara Veronique Saldanha
Final Doctoral Recital, Dahye Kwon
Five Studies for Violin and Piano (1952) (commentary), Billy Jim Layton
Five Studies for Violin and Piano (1952) (performance), Billy Jim Layton
Five Studies for Violin and Piano, Op. 1 (1952), Billy Jim Layton
Five Studies for Violin and Piano, Op. 1 (1952) (commentary), Billy Jim Layton
Gödel, Escher, Bach: An Eternal Golden Braid, Douglas R. Hofstadter
Increasing Study Abroad Participation Among Historically Excluded Students, Daniel J. Scanlon and Kimberly A. Kline
Interview Transcripts for LIN 200 "Language in the US”, Mark Aronoff and Lori Repetti
LGBTQ Community College Students’ Decreased Sense of Belonging, Joseph Falco and Michael Sparrow Ed.D.
Mind the (Training) Gap: A Case Study in Assessing Metadata Competences by Transforming Records for a Multi-System Migration, Dana Reijerkerk and Kristen Nyitray
Musical Time in Network Interaction: The Case of unfinished line, Silvio Ferraz and William Teixeira
Non-Rigid Registration with Deep Learning and Conformal Harmonic Maps, Daniel Billmann
Osmosis: Asymmetries in Telematic Performance, Matthias Ziegler
Precipitation recorded in the Turkana Basin from 2005 to 2022., Acacia Leakey, Greg Henkes, Mae Saslaw, and Dino Martins
PROTOCOL: New York State Race, Ethnicity, and Insurance Disparities in Follow-up Prostate Cancer Screening, Seth Greenspan, Mansi Chandra, Hyun Woo Joo, Netanel Sapir, Jonathan Gorman, Jie Yang, Xiaoning Li, Barghav Cavale, Allegra Fierro, Annie Laurie Laurie Shroyer, and John P. Fitzgerald
Reef Benthic Fauna and Sediment Characterization, Robert M. Cerrato and Matthew Sclafani
Single Versus Multi-Center Surgeons' Risk-Adjusted Mitral Valve Repair Procedural Outcomes, Anne Bennett, Thomas Bogue, Samuel Greenberg, Joshua Zhu, Samantha Novotny, Joseph Pizzuti, Lee A. Santore, Robert H. Habib, Annie Laurie Laurie Shroyer, Jonathan Price, Henry Tannous, and Thomas Bilfinger
Sonata for Piano (1949), Billy Jim Layton
Song for a Vigil (recitation), Billy Jim Layton
Stony Brook University Ka-band Polarimetric Radar and Mobile Sounding Data from Snowstorm Observations, Mariko Oue
String Quartet (1946), Billy Jim Layton
String Quartet in Two Movements, Op. 4 (1956), Billy Jim Layton
Symphonic Piece (1950), Billy Jim Layton
Synthesis: Works of Sarah Weaver and Collaborations (2020-2022), Sarah Weaver
Test 2.1 music dissertation, Jamie Saragossi
The Entanglement: Volumetric Music Performances in a Virtual Metaverse Environment, Damian Dziwis and Henrik von Coler
The Many Compositional Styles of the Bassoon, Joseph Swift
This is a test, Dana Reijerkerk
Three Dylan Thomas Poems, Op. 3 (1954-1956), Billy Jim Layton
Three Dylan Thomas Poems, Op. 3 (1954-56) (performance), Billy Jim Layton
Three Dylan Thomas Poems, Op. 3 (1954-56) (session), Billy Jim Layton
Trends Over Time in Incidence of Bicuspid Aortic Valve Patients with Thoracic Aortic Aneurysms in New York, Sarah Marc, Jahnvi Bansal, Alexander Cove, Annet Kuruvilla, Joshua Helali, Ashutosh Yaligar, Junying Wang, Jie Yang, Jonathan Price, Thomas Bilfinger, Henry Tannous, Annie Laurie Shroyer, and Allison McLarty
Two Love Songs (1951), Billy Jim Layton
Unidentified work for solo flute, Billy Jim Layton
Unidentified work for violin and piano (1957), Billy Jim Layton
Unidentified work with vocal (1957), Billy Jim Layton
Using Focus Groups to Understand Sorority and Fraternity Life and Inform Survey Design, Pietro Antonio Sasso, Kimberly R. Davis, and Cindy Cogswell