Type

Text

Type

Thesis

Advisor

Newman, Andrew | Huffman, Clifford C

Date

2013-12-01

Keywords

American literature | grief, implied author, magical thinking, memoir, narrative

Department

Department of English.

Language

en_US

Source

This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.

Identifier

http://hdl.handle.net/11401/77564

Publisher

The Graduate School, Stony Brook University: Stony Brook, NY.

Format

application/pdf

Abstract

This project examines how the narrative structure of Joan Didion's two most recent works, The Year of Magical Thinking and Blue Nights, may be used to gain a better understanding of the author herself. Didion's use of the term " magical thinking" is accepted as a reasonable response to the grief she experiences following the deaths of her husband and daughter. An examination of her larger body of work indicates that magical thinking is a tactic of literary invention Didion has relied upon since childhood to restore order to her life when it becomes chaotic and unmanageable. Using Wayne Booth's Rhetoric of Fiction as a starting point for discussion, this project answers the following questions: How can one discern Didion the narrator from Didion the protagonist? How does knowledge of Booth's " implied author" illuminate the fictional format Didion works with in these two memoirs? And finally, how does the separation of Didion's identity into character and narrator create a rich description of Didion's grief?,36 pages

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.