Type

Text

Type

Thesis

Advisor

Advisor: Robinson, Benedict | Committee members: Dunn, Patricia

Date

2018

Keywords

John Milton, Samson Agonistes, Disabiity, instability

Department

Department of English

Language

en

Source

This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.

Identifier

http://hdl.handle.net/11401/78895

Publisher

The Graduate School, Stony Brook University: Stony Brook, NY.

Format

application/pdf

Abstract

There is a significant absence of critical work examining the portrayal of disability in the English Renaissance unless it relates to examining disability as a metaphor. In this paper, I seek to evaluate the portrayal of blindness, and, more broadly, the impaired body in John Milton’s dramatic poem Samson Agonistes. What I wish to evaluate is that impairment in the drama is a natural condition which occurs to an unstable, fragile human body which equally fragile social norms are built upon; the grey-area which Samson’s impaired body occupies makes these social norms clear, as well as their exclusion of disabled subjects. Using Lennard Davis’s social model of disability, Rosemarie Garland-Thomson’s ideas of staring, and Mitchell and Snyder’s narrative prosthesis, I wish to show that in a drama concerned with the relationship of spectator and spectacle, reaffirming normalcy occurs through reinforcing familiar tropes which ascribe meanings onto the defamiliarized body. Ultimately, Milton’s drama suggests that imposing meaning onto impairments can itself be disabling. | 47 pages

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