Type

Text

Type

Thesis

Advisor

. | Rizzo, John A. | Dwyer, Debra

Date

2010-05-01

Keywords

breast cancer, photography | Art History Art Criticism

Department

Department of Art History and Criticism

Language

en_US

Source

This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.

Identifier

http://hdl.handle.net/11401/72557

Publisher

The Graduate School, Stony Brook University: Stony Brook, NY.

Format

application/pdf

Abstract

According to trauma theorist E. Ann Kaplan,"quiet traumas" are events that are personal, and that do not effect the larger scheme of things. Jo Spence, a British photographer, processed her quiet traumas-breast cancer and leukemia-through art and brought them into the public sphere, in order for a collective witness and healing experience, with the concept of her works as being of therapeutic value for herself, as well as for viewers. This thesis examines a few of Spence's photographs in tandem with her critical writings, as well as putting her works into an art historical context, being compared and contrasted to artists who did similar work, such as Hannah Wilke.

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