Abstract
Due to the COVID-19 crisis, music communities who found themselves in social and physical isolation have been trying to find alternative solutions to keep some form of connection. Network performance is one of these solutions, one that is specifically aimed at enhancing communities’ connectivity beyond one’s intimate surroundings. In order for network performances to properly work, there are numerous roles that need to be filled; these include performers, administrators, technicians, and event organizers. This paper presents new discussions aimed at understanding these evolving roles and the way in which they are intertwined. These discussions are based on the autobiographical reflections of one of the authors, Andrew McMillan, and his experience as organizer and technician of network performances during this crisis. This article has two objectives: one is scholarly and one is pragmatic. First, we discuss the sociotechnical challenges and opportunities of managing organizational and technical aspects of network performances. We discuss how this form of social connectivity can be considered an autotelic experience, which also creates a strong sense of purpose and well-being in isolation. Second, we offer practical suggestions and technical solutions for running online performance series.
Recommended Citation
McMillan, Andrew, and Fabio Morreale. "Purpose and Well-Being Through Administering Network Performances." Journal of Network Music and Arts 2, 1 (2020). https://commons.library.stonybrook.edu/jonma/vol2/iss1/3
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