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v. : ill. ; 22 cm (original analog pub.),Yarowsky, Morris, “The Beauty Falacy: Dave Hickey’s Aesthetic Revisionism.” Fisher, Jean, “Storying Art (The Everyday Life of Tricky Practices).” Bennett, Ciaran, “Between the Tolka and the Dodder: A Personal View of Visual Art in Dublin.” Moody, Meredith, “Arlene Raven: Criticism as Healing for the Author, the Artist, and the Audience.” Walker, John A., “A Vexed Trans-Atlantic Relationship: Greenberg and the British.” Risatti, Howard, “Crafts and Fine Art: An Argument in Favor of Boundaries.” Kuspit, Donald, “Two Versions of Marisol, Overlapping and Underlapping.” Carl, Katherine A., “Re-Alignings?: Artmaking in the Southeastern European Environs of Manifesta 3.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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http://hdl.handle.net/11401/59808

Art Criticism, Volume 16, Number 1

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