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v. : ill. ; 22 cm (original analog pub.),Grauer, Victor A., “Mondrian and the Dialectic of Essence.” Jones, Peter, “Bacon and Bataille.” Huhn, Tom, and Marsh, Georgia, “(A) History of New Abstract Painting: Toward a Theory of Domestic Abstraction.” McEvilley, Thomas, “The Tomb of the Zombie: AICA 1994.” Morgan, Robert C., “The End of the (Art) World.” King, James Roy, “Aesthetic Awareness in the Work of Rebecca West.” Kuspit, Donald, “Author’s Comments on The Cult of the Avant-Garde Artist.” Knafo, Danielle, “The Cult of the Avant-Garde Artist by Donald Kuspit.” Wadlington, Will, “The Death of Art: Review of Donald Kuspit’s The Cult of the Avant Garde Artist.” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)

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http://hdl.handle.net/11401/59794

Art Criticism, Volume 11, Number 1

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