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Description
v. : ill. ; 22 cm (original analog pub.),Hultberg, John, “Breaking the Picture Plane: Reflections on Painting.” Bielski, Sarah, “The Femme Fatale as seen in the work of J.K. Huysmans, Felicien Rops and Aubrey Beardsley” Cullinane, Mary, “Guilt By Association: Gustave Moreau, The Unwilling Decadent” Mooney, Kempton, “Degeneration in World War II Germany” Oelrich, Kristen, “From Diagnoses to Decadence: A Brief History of Hysteria” Schwartz, Michael, “Recasting the Art History Survey: Ethics and Truth in the Classroom Community” :: If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)
Identifier
http://hdl.handle.net/11401/59791
Recommended Citation
Department of Art, Stony Brook University, "Art Criticism, Volume 17, Number 1" (2002). Art Criticism. 31.
https://commons.library.stonybrook.edu/art-criticism/31
