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v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Kiefer, Geraldine Wojno, “Alfred Stieglitz, Camera Work, and Cultural Radicalism.” Stiles, Kristine, “Unbosoming Lennon: Yoko Ono’s Experience.” Van Schepen, Randall K., “Duchamp as Pervert.” O’Connor, Francis V., “Painting Women; Feinting with Eros.” Gersh-Nesic, Beth S., “Countertransference and Critical Discourse: The Case of André Salmon and Guillaume Appollinaire.” Waugh, Joanne B., “On Picasso and Pornography.” Hartoonian, Gevork, “Avant-Garde: Re-Thinking Architecture.”

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http://hdl.handle.net/11401/59781

Art Criticism, , Volume 7, Number 2

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