Art Criticism, Volume 12, Number 1

Authors

Department of Art, Stony Brook University

Files

Description

v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Golub, Adrienne M., “Towards A Newer Critique—The Missing Link: The Influence of T.S. Eliot’s Ultra-Conservative Criticism on Clement Greenberg’s Early Rhetoric and Themes.” Raskin, David, “Golub and Kosuth: Whose Expressionism?” Jusidman, Yishai, “Un-Ending Yad-Vashem: Some Notes Towards an Aesthetics of Monuments and Memorials.” Caranfa, Angelo, “The Inner Life in Claudel’s Art Criticism.” Bisanz, Rudolph M., “Hermeneutics and Art: From Schleiermacher to Derrida: On the Trail of the ‘True Meaning’ of the Work.” Nechvetal, Joseph, “Machine Art: From Mechanical Repetition Into Electronic Flicker.” Siedell, Daniel A., “Kline Contra Kline.” Brzyski-Long, Anna, “Retracing the Modernist Origins: Conceptual Parallels in the Aesthetic Thought of Charles Baudelaire and G.W.F. Hegel.”

Identifier

http://hdl.handle.net/11401/59779

Recommended Citation

Department of Art, Stony Brook University, "Art Criticism, Volume 12, Number 1" (1997). Art Criticism. 19.
https://commons.library.stonybrook.edu/art-criticism/19