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v. : ill. ; 22 cm (original analog pub.),If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979) :: Edwards, Maria, “The ‘Culture Industry’ and Commodification of Art.” MacKinnon, Valerie, “Sexuality and Originality in Picasso’s Creative Process: Two Prints Deconstructed.” Byrnes, Elyse, “Swallowing Hell: Expressions of War in Japan and West Germany 1940s-1980s.” de la Maza Chevesich, Josefina, “Introducing the World to Himself: Robert Rauschenberg and ROCI Chile.” Parkinson, Nick, “Speaking Directly: An Examination of Symbol and Communication in Allan Kaprow’s Happenings.” Sneed, Gillian, “From Happenings to Conversations: Allan Kaprow’s Legacy in Contemporary ‘Relational’ Art Practices.” Stack, Cliona, “The Leveling Up of Performance Art in the 20th Century.” Gilbert, Julie M., “A New Way of Approaching the Absolute through Art: The Sacred Mirrors of Alex Gray.” Bowditch, Lucy, “The Reluctant Muse: Images of ‘Lucy’ in Mark Greenwold’s Paintings.” Kosstrin, Hannah, “Passion and Angst: Postwar Identity in Two Dances by Anna Sokolow.” Shane, Robert R., “Looking and Moving: Kinesthetic Empathy, Dance and the Visual Arts.” Kuspit, Donald, “Lorraine Shemesh’s Dancers: The Figure as Grand Abstract Gesture.” Kuspit, Donald, “Falling Apart and Holding Together: Kandinsky’s Development.” Kuspit, Donald, “Review of Simon Schama, The Power of Art.” Ries, Martin, “Review of Matthew Spender, ed., Arshile Gorky, Goats on the Roof: A Life in Letters and Documents.”

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http://hdl.handle.net/11401/59770

Art Criticism, Volume 25, Number 1 and 2

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